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And then I thought that there’s this kind of a self-righteous quality about — you’re a plagiarist and I’m not.So I plagiarized from Camus in “Come In from the Cold” intentionally. Don’t steal from somebody else’s art, that’s cheating. So I put something that he said in one of my songs and he got real irritable, [saying], “I’m glad I wrote that.”I didn’t like poetry. I had difficulty at one point accepting my affluence, and my success, even the expression of it seemed to me distasteful at one time, like to suddenly be driving a fancy car. I felt that living in elegance and luxury cancelled creativity, or even some of that sort of Sunday school philosophy that luxury comes as a guest and then becomes the master. I still had that stereotyped idea that success would deter it, that luxury would make you too comfortable and complacent and that the gift would suffer from it.Leonard did “Suzanne.” I’d met him and I went, ‘I love that song. “Suzanne” was one of the greatest songs I ever heard. He made me feel humble, because I looked at that song and I went, ‘Woah. It made me feel like, “Oh Jesus, my songs are kind of naïve.All my songs seem so naive by comparison.’ It raised the standard of what I wanted to write. Stupid.” My “Both Sides Now” took such ridicule from Chuck, I came out of the marriage with a chip.
Maybe you shouldn’t read anything.” He gave me his reading list, wonderful books: Camus, The Stranger; the I Ching, which I’ve used all my life; Magister Ludi; Siddhartha. Kratzman, “who taught me to love words,” the Lovin’ Spoonful, rain, sunlight, garbage, metermaids and herself.
this essay on the Leonard Cohen – Joni Mitchell relationship has not only evolved into a popular read but has also become a frequently used reference.
Because of this continued interest in the topic, I’ve conscientiously revised and updated the post as new material becomes available.
It’s the spirit of child-play that Picasso was trying to get back.
I admire him for his effort, but he said all children are genius painters and he spent his whole life trying to undo the precocious education his father gave him. If there is an audience, it’s just the divine keeping me honest.
“Mariposa Folkfest to Roll,” an article published in the July 15, 1967 issue of Billboard offers a useful indicator of the points on the ascending trajectories of these rising stars at the time when their romance was developing.